When I was thirteen years old I wrote a short, short story—barely a thousand words about mortality and Coney Island in winter. For some reason I submitted it to a magazine my mother read. The form rejection slip contained a handwritten message that said, “This is very well-written, but there is not enough of it.”
Over the next twenty-two years I reworked that story a number of times. It grew to be part of the core of my first novel, for which I received enough publishers’ rejection slips to wallpaper a small room. In 1976, I drove my first cross-country trip with a buddy of mine. During the trip I kept a journal, which became the basis for my second, bad, and unpublishable novel.
I started a third at some point. This one I alternately described to myself as “a story about ambivalent people behaving ambivalently toward other ambivalent people” and “an ontological detective story; sort of a missing person story, where the missing person is God.”
I carted these manuscripts with me when I moved out of my parents’ and in with a woman I met while working as a fortuneteller. I think I read myself into her cards and life. When I moved back to my parents’ after a short stay and a break-up. I, of course, took the manuscripts. Three years later, I reconciled with that woman, a music teacher fiver years older than I. Pretty heady stuff for me when I was 29. When, after a little over three years, we split up again, I placed the now-finished manuscripts in the trunk of my new car and left them there.
In November of 1988, just about twenty years ago today, I bought another new car, a Nissan Pulsar. It was sporty, effectively a two-seater, with a T-top and a lawnmowerlike engine. When I went about dumping the stuff in the old car’s trunk, including the manuscripts, I decided to retire my old Smith Corona portable electric typewriter, as I had gotten my first computer three years before but had not used it for any of the novels.
I also threw the manuscripts in the trash. And I never looked back until now.
The last few days I’ve had the same song playing in my head, over and over: “Dreamline,” by Rush. Classic.
I was reminded of the new car and the manuscripts this morning, reading the blog of a literary agent. Although I was done wandering the country by car in 1988, it was only today I wondered what my words might have been worth if a real editor had gotten a look.
When I started to care about drinking to excess I fully embraced the idea that I was no longer young or immortal. And that’s when it hit me that I’d thrown my novels-in-progress away.
© 2008 Steve Tiano